This font is fire. A fun font that looks like an alphabet long advent candelabra, a Lucia crown, whats on the side of a really fast car or perhaps what letters would look like if they were constantly in water. It’s also just what the name implies; flames.

Flames is okay to forget when you leave the room.

Mutter is a display typeface with legibility in mind. With 50° and 70° diagonals as one of its key components. This is my first attempt to create a more serious typeface and a way for me to learn more about the design process behind it. Along the way I have tried to implement what I have learned about legibility. 

In german “Mutter” means mother and in Swedish the meaning is screw-nut. As a half german the word have both meanings to me. It became a natural name since both words embodies the inspiration for the typeface. Mutter got its square shape from the angular form of a screw-nut. The inspiration from my mom does not come from her being square, but that she is the opposite of that – full of energy, in motion and close to laughter. Mutter is created from this foundation, a typeface with a smile and a strong appearance.

Äsch is built around a single shape, duplicated and modified over and over, until a typeface reminiscent of old adventure comics starts to appear.

Use it big on a poster or small on a stamp, Äsch doesn’t care

Plump is a typeface inspired by the card game with the same name. The shape of the cards from the game was an early inspiration to the visual expression.

Drip is like dreaming, like trying to gather your thoughts but they keep floating away, going through the walls. Drip is a typeface unable to find structure or make shape of things. It's got that wet look. Is it sad, or is it just how things are?

Pussgurka - (A casual word, often said to small children or pets) someone you want to hug or kiss, cutiepie, darling.

Ruta Sans is a typeface with a somewhat rolling horizontal line segment, based on four modular shapes and a square grid structure. With a strict but at the same time living expression, Ruta Sans focus on both originality and readability.

Skev Italo is a font inspired by space, italo disco and ocean waves.

Tobo bold is inspired by organic typefaces from the jugend era and the quirky typefaces that was popular during the 70’s. The main inspiration comes from Wayne Stettler’s typeface Neil Bold, often found on various jazz record designs from that time.

Modern Barbaric is a typeface inspired by 15th-century blackletter type styles, reimagined for the digital age. Its foundation is based on a structured grid and the characters are composed using three simple modules. The typeface is a work in progress with 89 characters to date.

Inspired by the linking of heavy chains, Vince typeface aims to be hard and soft at the same time. A heavy chain has a solid material but through its ability to be flexible it can look soft. Vince is a modular typeface based on a square and a quarter of a circle.