One of the inspirations to the typeface Tobo Bold comes from Wayne Stettlers Neil Bold from 1966. Found on the this cover of Theater Der Zeit from 1979.

Testing out Mutter on pins!

A typeface I made during a summer course in type design with the purpose to pay the rent (and secondary to learn Glyphs). The typeface is based on a hand-drawn a, and is still incomplete.

Serpentin Sans is a typeface in progress. Serpentin in Swedish means party streamer, which is the inspiration for the movement and shapes of the letters.

Serpentin Sans. Work in progress.

A script font I have just started working on, based on my great grandmothers handwriting from the 1930s.

Psyche process.

First steps on a new type design project. I’m exploring the relationship between the rounded and the sharp, without losing readability or character.

Inspired by the linking of heavy chains, Vince typeface aims to be hard and soft at the same time. Plastic Vinyl on mirror – scanned.

This is a sketch of my font No Harmony. The letters are wobbly, naive and playful. 

Trying to achieve some kind of liquid feel to Tobo Bold.

Inspired by parallel universes I’m finishing up a title font called “parallelogram” based on the shape of a parallelogram.

Psyche process.

Skev Italo specimen.

The structure behind Ruta Sans lower case ’a’.

Just finished the final touches of the numbers in Ruta Sans.

The numbers of Modern Barbaric.

Early use of Extra, a WIP typeface inspired by old political posters and newspaper headlines.

This is the work in progress of the typeface GORBA. A font inspired of 90's, Russia and cyberspace.

This is the work in progress of the typeface GORBA. A font inspired of 90's, Russia and cyberspace.

Work in progress! This is one of the first digital sketches on a new typeface I’m currently working on.